We interrupt this blog post...momentarily...for this GREAT announcement! The cover art for Dream Weaver is a semi finalist in the AuthorsdB.com cover contest! Thanks to all who voted! New info on the semi final vote will be posted here in the near future. We now return you to the previously scheduled post....
I'm not exactly sure how I found CS Lakin, but I'm glad I did. I don't subscribe to a lot of blogs, but Lakin's 'Live. Write. Thrive.' is one I love. So, I wanted to share her blog with my visitors.
I'm not exactly sure how I found CS Lakin, but I'm glad I did. I don't subscribe to a lot of blogs, but Lakin's 'Live. Write. Thrive.' is one I love. So, I wanted to share her blog with my visitors.
I’m a novelist, a copyeditor, a writing coach, a mom, a backpacker, and a whole bunch of other things.
I teach workshops on the writing craft at writers’ conferences and
retreats. If your writers’ group would like to have me teach, drop me a line.
I live in California, near San Francisco, just so you know how far away
I am from you and your writer friends. I also enjoy guest blogging, so
contact me if you’d like me to write a post on writing, editing,
or Labrador retrievers (just threw that in there; I’m not an expert but I
love them). I am, however, quite the expert on pygmy goats. I ran a
commercial pygmy goat farm for ten years and delivered a lot of kids!
So, if you need some goat advice, I’m your gal.
A novelist, copyeditor, and writing coach? What kind of services to you provide?
I love to help writers with their novels. I specialize in thorough
annotated critiques (I do about 200 partial and full manuscripts a
year!), so if you have a manuscript that needs some work or you’re not
sure if it does, check out my site
specifically dedicated to my critique services. You’ll find a lot of
informative articles on why you might need a critique and how to choose
the right editor for your needs. Not many copyeditors are writers, and
few know how to critique all the major elements that hold a novel
together.
Wow, that sounds great! What kinds of resources can working authors expect to find on your blog?
CS and Coaltrane |
first page checklist for Novels
Fiction Critique Checklist
And some posts I've written as a guest blogger.
How to Tap into Your Passion Every Time You Write ~ on Write to Done
The Secret to “Show, Don’t Tell” ~ on Wordplay, K. M. Weiland’s blog
5 Key Questions to Ask as You Write Your Novel ~ on Write to Done
You have a unique technique (say that fast 3 times) that you share with authors, in which, you combine writing and film. Tell us about some of those posts.
In last week’s post I
introduced the POV shot used in movie scripts. In a screenplay, when a
POV shot is specified, the writer is instructing this segment of film to
be shot as if looking through the eyes of a particular character (or
object, as we saw in the excerpt from The Fugitive). Sound familiar? It’s exactly what novelists do all the time. But there’s a difference.
Remember, the camera has no
thoughts or feelings; it only observes and records. It’s a way of
shifting what the camera is seeing, but it’s not subjective. It’s wholly
objective. And this, for most novelists, is a bit foreign. For, POV and
subjectivity seem to go hand in hand, right? Not in screenplays.
Using the camera shot POV is a
great technique novelists can imitate. For some writers, the idea of
showing a scene completely devoid of emotion, reaction, internalizing,
and opining may seem counterintuitive—or downright counterproductive.
Isn’t the whole point to tell a story up close and personal?
Depending
on the point of view and style of writing, moving shots can either seem
like they are occurring inside the character’s head in the way they
view and interact with their world or can appear as if we are watching
the character in motion. Follow simply means what it implies:
the camera follows the character in action. In a novel written in
omniscient POV, the camera will often “follow” the characters and action
as the story is told. In a novel using first-person point of view,
writers can give a sense of “following” the character by moving along
with them as they go about their business.
This
week we’re going to talk about PANs. No, not the things in your
kitchen. A PAN is used by the screenwriter to tell the camera to move
from one place to another. PAN stands for panoramic and implies the
camera pivoting while mounted or on a tripod. A PAN operates in real
time, showing how long it takes or how far a character has to move
across a space, and it can show the spatial relationships that exist in
the story.
PAN left, PAN right. Why? To get
the reader to shift focus and draw her attention to some detail. It
emphasizes the character noticing something. Or looking for something.
Or following something.
I love this! It has given me a great perspective on my writing. I'm so glad I found you! But you're not just an editor and blogger. You're also a writer. These are just a couple of your books.
Susanne also writes Fantasy and YA Sci-Fi.
CS, thank you for visiting. I hope my visitors will find your site as helpful as I have.
AND COMING SOON FROM DREAM WEAVER NOVELS, THE TRAILER FOR DREAM WEAVER BOOK 1! AND MAYBE EVEN A NEW TITLE!
Thank you for taking the time to visit. You are so appreciated.
And as always...
Dare to Dream!
Su